Wednesday 22 September 2010

Mssrs Tangle & Hump cordially invite you to join us...

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As Part of the Norwich Festival of Five
Mssrs. Tangle & Hump Present...

A brief Ramble into Norwich's past 
Featuring...

~ A bag of oddities &  curiosities ~
~ Wondrous story telling ~
~ High-speed Kett - the story of the 1549 Rebellion, told in 5 minutes!~

                 
Wander with us and 
will be revealed to you...

The two tours will assemble outside Norwich Forum on 
Saturday 9th October,
starting at 11:30am and 3:00pm respectively

To confirm booking, please email us on...


LATEST NEWS! Please click... 


HERE

Saturday 18 September 2010

The Diary of Cornelius Hump, Esq - Latest

Antiquarian Ramblers, delving into the past...
 


'The Ragged Society of Antiquarian Ramblers' has recently been bequeathed a unique archive, following the recent sad passing away of former member, Dorothea Tangle-Hump, M.B.E. .

This archival material consists of an extensive diary composed by Ms. Tangle-Hump's Eighteenth century ancestor, the notorious Cornelius Hump, Esq. . Ragged Ramblers members are currently engaged in the painstaking process of preserving and transcribing this unique and illuminating work, and it is this which we are able to share with you here...


The latest transcription - Rolling Hills & the Buddery Stare

Thursday 16 September 2010

A Spectacle in Copford Church, Essex

Following our visit to the bleakly beautiful St Peter's chapel in Bradwell-on-Sea Maximillion and I travelled to another jewel amongst Essex churches, St Michael & All Angels at Copford (to the west of Colchester). Located in the ancient manor of the bishops of London it is set in a lovely tranquil location. Maximillion and I ate the last of our cake and took tea before progressing to the church itself. Once inside, we gasped at the amazing mid-twelfth century interior painting, and I let out a stifled cry of "huzzah!". Meanwhile M. jumped about from foot to foot excitedly... 
"Splendid Munro, simply splendid!" he exclaimed. I noted that his eyes were welling up with tears, and that he was dribbling slightly - a sure sign of a Ragged Ramblers' emotional and intellectual engagement with a special place.

Being fresco painting (painted onto wet plaster) this meant that 'hot' Protestant iconoclasts were unable to scrub the offending images and distractions from the walls, resorting instead to whitewashing over it. Re-discovered in the nineteenth century, some of the painting was 'restored' and, even, overpainted. Nonetheless, we think it remains a stunning spectacle and would heartily recommend that you pack a picnic and go on a Ragged Ramble there yourselves. 

~ Munro Tweeder-Harris Esq. , RSAR., F.R.S.R.R ~







Saturday 11 September 2010

Video tour of the mid-Saxon chapel of Saint Peter's in Bradwell-on-Sea, Essex



The bleakly beautiful setting of St Peter's Chapel, Bradwell-on-Sea is something you really have to experience in person. In particular, there is something so tantalising about the approach to the edge of the sea along a long, well-trodden path - it is a liminal place. Constructed from the remains of the Othona fort on the southern shore of the Blackwater Estuary in Essex, the current structure was constructed under the orders of the Celtic Rite by St Cedd in 660-662and, according to Bede, was probably originally named, 'Ythanceaster'. 

We urge you to go and see for yourself. In the meantime, gain a glimpse by clicking on the video.

~ Munro Tweeder-Harris Esq. ~

Monday 6 September 2010

A very personal ramble...

I am lucky that in my work I get to ramble all over the country and also to see many wonderful sites and to meet many interesting people. Not long ago for example I was up in North Yorkshire at Mount Grace Priory. Once the home for Carthusian Monks and although I've visited and worked at many a monastic site, I have never worked at one quite like this....



Plan of Carthusian 'Cells' at Mount Grace Priory





East range of monks 'cells' at Mount Grace

Unlike most priories where Monks slept together in a dormitory or had their own small basic cell, the Carthusians at Mount Grace had their own private dwellings and gardens, and when not praying in the church, or in Chapter spent all their time alone. Even the serving hole set into each house was built with a right angled turn in it so that the Monks could not set eyes upon the lay brothers who served them...

Entrance to the reconstructed cell at Mount Grace
(Note the serving hatch to the right of the door)



Looking into ground floor of cell



Looking out from ground floor of cell



The separate bedchamber



Separate Scriptorium



Upstairs workroom with spinning wheel and loom



Reconstructed furniture in cell



Detail of 'adzed' door

There is a reconstructed 'cell' at Mount Grace that allows us a insight into the Monks private lives that is little seen elsewhere, and no expense has been spared. Even the reconstructed furniture, and doors are cut and shaped with an adze, just as they would have been over 600 years ago when the priory was founded.



Monk's private garden



Water supply into covered garden area



Monk's personal loo!

And even better are the very personal survivals from that time, like marks upon the doorstep leading out into the Monk's private garden; said to be where a Monk once split kindling for his fire. A very personal touch indeed and one that brings us closer to the a real person from the past......


Doorstep leading out to garden
(Note the marks said to be from Monks chopping kindling)


But does it really? I for one wouldn't mind living in that reconstructed cell even today and I can't help thinking that for a poor person long ago, such well appointed living quarters would have seemed like a palace. And not just to a poor cottager, but also to many a Monk from a different Order who didn't have the luxury of his own fire to chop kindling for! The consensus is then that many of the Monks at Mount Grace were rich men or their second sons, whose dedication to a less materialistic, spiritual life only went so far. And so for many it was a case of from Medieval Manor to cloistered life that they went with little knowledge of the harshness of the real world. And I for one find it difficult to know such people.....


Model of individual Monk's cells and gardens

From there I passed a brown sign with the words 'Ancient Church" written on it, pointing towards a small village called Kirk Hammerton and intrigued I followed. Only to find a Saxon Church which now survives as an aisle of a Victorian nave and chancel that in complete contrast to the bare stone walls of the Saxon nave now aisle is decorated in the high church fashion; full of wistful Pre-Raphaelite Angels. The Saxon Church is early and was built before 950 AD, and both the large stonework and its site on a high knoll point to it having an even earlier foundation....


St John the Baptist's Church, Kirk Hammerton





St Johns with later Victorian west end (Far right)

Like a lot of ancient sites it does have a certain atmosphere and as Esotericus once demonstrated at Norwich Castle, the walls whisper to you, if you know what to listen for! Certainly the locals whisper, for like many an ancient site the Church of St John the Baptist at Kirk Hammerton has many a story connected with it. Including the widely held belief that many of those slain at the battle of Marston Moor (1644) were buried in pits in the churchyard....



Large stonework, typical of Saxon churches


Original Saxon North Doorway


St John the Baptist tower with original Saxon doorway

It certainly is a great place to go if you want to get a 'feel' for the Anglo Saxons and the times they lived in. For one thing the great stone work and small almost defensive original windows point to the buildings many uses. Not only a place of worship, but perhaps a place of sanctuary during unsettled times. So once again although we might get a feel for the times they lived in can we really know these people? For however hard our lives today there are few of us who now understand the rigors and uncertainties of life over 1000 years ago, whether it take the form of famine, disease or pillage. Unlike the Monks of Mount Grace these people knew well enough that harshness of the real world, but to such a degree that I cannot comprehend.....

Part of original Saxon Chancel Arch, St John the Baptist

And so the journey continues to Rochester in down Kent and its Castle and Cathedral. It would be hard I think to find anywhere else in the country that has such a complete Norman Keep and Cathedral.....


Rochester Castle



The three floors of Rochester Castle



Rochester Cathedral at dawn

The Cathedral would give any fan of Romanesque architecture palpitations, a great word I think, although in truth the various architectural styles mean little to me. All I know is that the Cathedral has an honesty about it and it's not too frilly, which will do me! I was lucky enough to be able to explore it at 7.30 in the morning when first it opened its doors and I was alone with only my footsteps for company.....



Detail from the Romanesque West Front of Rochester Cathedral

Its bare aisles appealed to me for they worked well with the simple Norman arches and arcading of the nave. Although what surprised me was the lack of ancient memorial, with most dating from the 18th and 19th centuries. I found only two Tudor memorials and both were in poor condition. I read a sign that said that part of the nave burnt down in the early 14th century, but they rebuilt it in the earlier style. This was unusual, because often such a disaster would be just the excuse needed to rebuild in the latest fashions. I had wondered if the reversion to the old was due to a far sighted Bishop who bemoaned the loss of earlier styles, but no. It was simply that they didn't have enough money. But what was probably galling for a 14th century Bishop is good for us and has left us with what I think is an almost unique building. But does it tell us anything about us?....


The Romanesque 'Norman' nave of Rochester



Plain aisles packed full of eighteenth century memorials

Again I have to say no, for both Castle and Cathedral were above all else about Norman dominance, built, owned and controlled by Normans to aid in the subjugation of the Saxons. You only have to look at the church at Kirk Hammerton and remember that it was probably the biggest and most solid structure in any Anglo Saxon community, to understand the symbolic significance of the Rochester Castle and Cathedral. And looking at artistic reconstructions of the Castle within the old Keep it's easy to see that the privleged few who lived and visited there lived a life of luxury, far removed from the experience of most living in England at that time. It is then difficult to know these people....


One of the few Tudor memorials in Rochester

I thought I would have more luck searching through the town and was rewarded with a plaque, a memorial set up upon an ancient house that celebrates the charity of on Richard Watts who in 1579 founded a charity whereby, 6 poor travelers, not being rouges or proctors would receive a bed for the night, entertainment and 4 whole pence! Watts was it seems a kind man and his personal kindness makes him knowable or at least someone we might like to know. Except that his gesture was double edged and he had no shame in admitting that it was as much, In testimony to his munificence, as ever it was a concern for the poor. Here is a man whose overriding concern was with the maintenance of his honour and demonstrating to all that he was someone of importance in the City. I for one do not know what that's like and so I can't really know Watts...


Nineteenth century copy of sixteenth century memorial

And so sometimes our rambles can lead to many wonderful sites, and many interesting people, but it is more difficult to follow in the footsteps of those who have gone before. We can imagine, but often no more than that. Occasionally however a ramble can be a very personal adventure indeed. For just a few miles down the road from Rochester is the tiny village of Egerton, a small place set on a rise overlooking fields and orchards. And in the village is a pleasant but non discript church, yet in the churchyard are some ancient grave stones, one of which belongs to my great, great, great, great, great, great grandparents, Stephen and Ann.......


Eighteenth century graves in Egerton churchyard, Kent

He died in 1795 aged 79 and she in 1801 aged 85. I know from transcriptions that they are there, but now the stones are too worn to tell which plot is theirs. I have to admit to being disappointed at first, for I was like a treasure hunter looking for the X that marked the spot. But then I stopped, for seeing that the search was a futile one I took time to explore the church and village and realised that many of the sites and even experiences that they would have enjoyed like the beautiful view that went on and on for miles as you left the village traveling South, or the sweet smell of Honeysuckle that filled the evening air as I searched close by the spot where I know they were buried - These are things I too enjoy and in that way I can and do know them.

+Many Coats+

Friday 3 September 2010

Walsoken Church...

Yesterday I purchased a lovely copy of the 'Collins Pocket Guide to English Parish Churches' edited by John Betjeman. This admirable project; to capture something of the "atmosphere and artistic merit" of thousands of parish churches, was always going to be a challenge. Perhaps nowhere is this more vividly illustrated than in the case of All Saints church, Walsoken. Here's what the book says:
"Late Norman and Early English very fine, with much early decoration. Elaborate roof with some colour. Two screens, carved stalls, a few old benches. Painting of the Judgement of Solomon and a wooden figure of Solomon over the tower arch, and of King David with a harp over chancel arch."

A pithy little summary, but we - Munro Tweeder-Harris, Esq. and Mr. Many Coats - can assure you, this church rewards far greater investigation. I therefore invite you to come with us and explore further...


First of all, there is this; a rather majestic tower in the Early English style - chronologically, the next development from the over-engineered Norman round arches. Built, I assume, in limestone sourced from the quarries in Barnack in nearby Lincolnshire, it inspires the eye upwards (so to speak). Antique now, it would once have been a genuine shock of the new to astonished contemporaries in the thirteenth century (1200s).

Mr. Many Coats and I were very keen to go inside, and, having read the sign on the locked door, we walked to get the key from the nearby rectory. It was no more than a hundred yards away, and yet, in that short distance, we were walking from this outpost of west Norfolk (where the church is) and into eastern Cambridgeshire. Having knocked on the door, we were greeted - after a fashion - by the gentleman in the Rectory, who handed me the keys, told us to sign the visitor book and promptly shut the door (very similar, incidentally, to the 'welcome' received by the marvelous Simon Knott on his visit here a few years previously).


Now, having read a description of this as, "the finest Norman parish church in Norfolk' (Mortlock and Roberts, 'The Popular Guide to Norfolk Churches; No. 3 West and South-West Norfolk), we were expecting to be bowled over by round arches and chevron (zig-zag) carving and the like. Instead, the first thing that caught our eyes (and imagination) was this curious little figure - a seated Solomon. The look on his face amused us greatly...


This 'look' was intended to depict wisdom. The painting in the background is Solomon's judgement: a tale of a dispute between two prostitutes who both had babies, one of whom had died. They both lay claim to be the mother of the living baby. They go in front of King Solomon and he settles the matter by ordering the baby to be cut in half in order that they both have a fair share of the child. When one of the women objects, requesting instead that the living child be given to the other woman, canny King Solomon instantly recognises that she is the natural mother, and the baby is restored to her (1 Kings 3). We discussed his expression at length, and the version I am allowed to share here is that we felt he appeared, both, anxious and strained. If the church guide books are to be believed this art dates from the seventeenth century, and Mr. Many Coats was excited to find two other paintings of Solomon from the following two centuries, respectively...


This fixation with Solomon in this particular place remains unexplained - and all the more fascinating for that in the opinion of these Ragged Ramblers.


Having had our attention diverted, we then began to take in the wonder of the Norman architecture which abounded. Looking down the nave from the west end, you will observe how the typically round arches end with a pointed arch at the chancel of the same - late Norman/transitional - period. The light from, both, the aisle windows and clerestory above, was generous on this beautiful late summer day.


And when we looked up, our eyes feasted on a lovely old hammer-beam nave roof constructed from honest hand-hewn timbers and decorated with angels and diminutive figures standing under canopies. Above the chancel arch is a carving of another Old Testament figure, King David, holding the harp which, as young man, he played so exquisitely that it was used to drive out an evil spirit possessing King Saul (1 Samuel 16:23).



And then there is the seven sacrament font. As you can see,  it is an absolute stunner! I marvel and the delicacy of the carving, and it is in a remarkably well preserved condition.


See, for instance, the sacrament of Extreme Unction, where the dying person lies in bed about to be anointed with oil by the priest. A rather worn, but nonetheless, recognisable devil can be seen in one of the scenes. The learned Mr. Many Coats explained to me that this one had clawed feet as it pre-dated the sixteenth century (1500s) when devils began to be depicted with hooves.


Having given this wonderful font a really good examination I called Mr. Many Coats back, and asked him if he agreed with me that something here did not quite belong....


Looking at the  shaft ('stem') of the font, we noticed that the stone was of a different colour from the stand and bowl; that stylistically is seems to belong to a slightly later period. We also noted that thick lines of mortar at both ends if the stem. All of this leads us to believe that this is a composite: a piece robbed out from elsewhere and - far from seamlessly - incorporated into this piece. Who did this? Why they did it? It all remains a mystery. Once more, a church has the ability to puzzle and intrigue....


If the seven sacrament font represented the finer end of the art in the church, the rustic barn-build of the northern aisle represented the other end of the spectrum. Mr. Many Coats, a horny-handed son of toil, and an accomplished wood worker himself, was very much taken with these massive timbers and this honest work.

And yet, in this church over-flowing with so many interesting features, there was also a most exquisitely carved aisle roof on the south-eastern end of the church...


As well as its elegant interlaced lines, I love the rich golden colour of these timbers (a hue which I'm not quite sure is captured by this image).

Although I am nearly at the end of this, my longest ever Ragged Rambler article, there is so much more I might tell about All Saints, Walsoken. However, I want to end on a more personal note. As we have often noted, a special site is so much more than the sum of its features. Here is a scene which sums up some of the further delights of a wonderful church...


Laying down my copy of Mortlock and Roberts by my newly purchased Walsoken church comb (a must-have item for any true Ragged Rambler!), I photographed this bag of beautifully scented, crisp, red apples which were for sale for a pound. This is just the kind of personal touch which lifts my spirits. The presence of people; of people who love this place was also evident in the lovely flower display - almost certainly a contribution from local women.


I heartily recommend that you take the time to go and see this for yourselves.

Postscript: having published this piece, we contacted one of the Churchwardens to convey our appreciation of their church and the community breathing life into it. We are delighted to have received a lovely reply, part of which I will quote: 
"We consider ourselves to be privileged to have the guardianship of such a magnificent building and to have some feedback from Visitors is a real bonus."


Thanks Peter. 



~ Munro Tweeder-Harris, Esq. ~